
Photography: Arnd Bronkhorst
Joyce Ter Horst
Curator, consultant and founder of Paard Verzameld
I curate exhibitions, advise artists and institutions, and develop projects that position equine art within the contemporary art world.
Equine art is often recognised through its subject. Yet with the right perspective, it carries history, identity, and cultural meaning.
My work is grounded in concept, context, and direction. I work with artists, institutions, and organisations to shape exhibitions, develop projects, and position equine art within a wider cultural context.
Photography: Paard Verzameld , Arnd Bronkhorst
How I Work
Art Consult
An independent curatorial review of your work, portfolio, exhibition concept, or project.
For artists and professionals seeking clarity, direction, and experienced outside perspective.
Curator Method
A structured curatorial process designed to strengthen the coherence, positioning, and development of a body of work.
For equine artists ready to take the next step in their artistic direction.
Curatorial Advisory
Strategic support for exhibitions, institutions, museums, and cultural projects.
From exhibition concepts and artist selection to project development and curatorial guidance.
Photography: Malou Ploeg, Arnd Bronkhorst
Current Project
Open Call | Dutch Equine Art Fair 2026
An international exhibition of contemporary equine art presented at the Living Horse Museum in Amsterdam.
Applications for the fourth edition are currently open until 7 July 2026.
29 October – 1 November 2026
Living Horse Museum, Amsterdam, the Netherlands
Selected Projects
Dutch Equine Art Fair
An international exhibition platform for contemporary equine art in Amsterdam.
Mara'ee Bahrain
Curatorial and artist liaison support
within an international exhibition context.
De Paardenkamp
A long-term curatorial collaboration spanning exhibitions and public engagement.
Next Step
Whether you are developing a body of work, planning an exhibition, or seeking curatorial guidance on a project, the next step starts here.







